Each of these is a spec, not a filter.

Desaturated rose against cold slate. One warm hue carried across suit, flag and terrain, with everything else pulled toward grey.

Dense pixel art with a painted sky. Hard dithered detail in the foreground against soft aerial perspective behind.

Low angle, flat overcast light, and a palette drained to green-grey so one warm element carries the whole frame.

Late golden hour on a long lens, crowd thrown to bokeh. Warm rim light doing the separation instead of contrast.

Teal atmospheric haze cut by red signage. Rain and volumetric light carry the depth; the subject reads as silhouette first.

Photographic, neutral, faintly warm. Reads as documentation rather than composition — the visor reflection is the only staged element.

Hard specular refraction thrown across skin. Colour arrives as light on the subject rather than in the grade.

Near-flat vector on a tight palette. Depth comes from layered silhouette rather than shading.

Warm bokeh and airborne embers around a centred subject. Everything soft except the eyes.

Effectively single-hue. One warm source, deep falloff, and glitter as the only high-frequency detail.

Pastel wardrobe against saturated crimson, shot flat and centred like a formal portrait. The palette carries the joke; the framing plays it straight.

Retro game illustration built on visible halftone dithering. The texture is the style — smooth gradients would destroy it.